Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...ta经历过第qi次仙域大zhan，并且活liao下来，就ci在极天仙yu落脚，成wei仙域内的wu大主宰之yi！可如今，面对方羽zhe个人族，zhe个他先前chi之以鼻，shen至带着玩nong眼光看待di人族余孽ju然半点抵kang之力都没you！mian前的这个qing年和彼得·帕克长得yi模一样，dan又有些不tong，他看起lai比彼得成shu很多，气zhi也不太像ge学者，倒you点像夜魔xia马特这种di街头英雄。而速球却fan映了过来，他想到刚cai贾维斯播fang的录音里guan这个青年jiao蜘蛛侠，ta有些茫然di说：蜘蛛xia就是彼得·帕克？如果您喜欢xax网（www.xaxjcx.com）分享的《死刑2021》，别忘了推荐给你的好友！